Taxi Driver

Hot Fuzz is a film that tells the story of two police officers attempting to solve a series of mysterious deaths in a small village.

"McDonald's: Ingredients" Lovin' takes the right ingredients. Big Apple + big ape + normal-sized lady alien + candy + long distance phone call swimmer + ocean + da dum + da dum 12 bad guys + 1 good cop + 2 bare feet fava beans + chianti + people for dinner yo + Adriiiaaaaan shower + motel + mom pastrami + yes + yes + YES you talkin' to me + you talkin' to me + you talkin' to me two all-beef patties + special sauce + lettuce + cheese + pickles + onions + sesame seed bun. Lovin' takes the right ingredients. McDonald's i'm + lovin' + it.

"Introducing Pepsi Mini Cans: Mini Hollywood" Little Cans, Epic Satisfaction! Like a Pepsi Mini Can, a movie quote can be as satisfying as watching the whole film. In the "Mini Hollywood" short, a fearless production assistant embarks on an epic little journey to deliver a Pepsi Mini Can to Cuba Gooding Jr. The twist? The entire cast speaks only in movie quotes. Can you guess which films the quotes are from? Inconceivable! I'm the King of the World! Surely you can't be serious. I am serious and don't call me...Shirley? Hey! I'm walkin' here! I'm walkin' here! We're not in Kansas anymore. How do you like them apples? Thank you very little. Mmmmm...aaaahhh. I'll have what she's having. Hasta la vista, baby! Nobody puts Baby in the corner. Houston! We have a problem! You talkin' to me? Frankly my dear, I don't give a... Earmuffs! Show me the mini! Say hello to my little friend. Introducing Pepsi Mini Cans. Little cans, epic satisfaction. Pepsi Presents The Mini Can Introducing Pepsi Mini Cans Little Cans Epic Satisfaction Pepsi Live For Now #MiniCanQuotes

'To you, a filmmaker of a future generation', by Martin Scorsese “To you, a filmmaker of a future generation: if you’re burning to tell this story… if you’re seeing images and passages in your mind’s eye, you have to make your movie!” Martin Scorsese is a director, producer and screenwriter with a career spanning 50 years and as many films, many of which are considered some of the greatest ever made. Discover more on https://on.rolex.com/2E3IzJ5 To you, a filmmaker of a future generation, I have no idea how you’ve come to cinema, but you have. And that means that you and I, we’re already speaking to each other from across time. I don't know what cinema is for you. What it is for me, from the way I see and experience movies to the way that I make them, it’s changing. At this moment in our history, absolutely everything is shifting. The way that you’re telling stories with moving pictures is probably a world away from what I know. And I thought I’d share this thought with you: if you’re burning to tell this story, if you’re seeing images and passages in your mind’s eye, you have to make your movie! Now you keep up your end of the conversation. And I’m looking forward to hearing back from you soon. Yours, Marty Scorsese After Hours The Departed King of Comedy Gangs of New York Mean Streets Taxi Driver #Perpetual Rolex Exclusive watch of the Academic of Motion Picture Arts and Sciences

Nancy struggles to find a destination for her and her family, while discovering that the F.B.I. have been brought in to investigate Pilar's murder. After being turned away at the Canadian border check, the Botwins find themselves in a motel in Seattle where they forge new identities for themselves. The Botwins become the Newmans; Nancy is Nathalie, Shane is Sean, Silas is Mike, Andy is Randy and the baby is named Avi. Nancy pledges to make their new life as normal as possible. Meanwhile, Esteban must deal with the authorities while trying to track down his missing wife and son.

Raylan goes after a ruthless pawn shop owner/Oxy dealer to work his way up the Dixie Mafia food chain. Boyd reconnects with his cousin Johnny, and tries to reassure a wavering member of his crew after making a connection with Limehouse. In lockup, Dickie is extorted by a corrupt guard who overheard Boyd talking about the Bennett fortune. Quarles begins putting the pieces of his plan in motion with Wynn Duffy, only to be interrupted by Raylan who demonstrates his violent side on Duffy.

Colin Quinn and Mario Joyner in a 1976 Triumph TR6

Nearly broke, the guys return to Queens. But thanks to a tip from Vince and Drama's mom, Rita Chase, Eric tries to get filmmaker Gus Van Sant to cast Vince in a role. Van Sant won't let Vince audition, leading to a confrontation between Vince and Eric; Vince fires him, and Eric returns to L.A. Later, Vince reconnects with his high-school sweetheart and Drama invests in a neighborhood bar. Turtle continues to try to maintain his relationship with Jamie-Lynn Sigler as a secret, despite the guys' curiosity. Eric's efforts turn out not to be in vain, as Van Sant forwarded Vince's reel to filmmaker Martin Scorsese, who calls Vince to say he wants Vince in the lead role of his remake of The Great Gatsby, which will film in New York City. Vince flies back to L.A. to reconcile with Eric in person.

When Barry threatens Stan's old high school wrestling record, Stan enlists Roger to beat Barry and defend his small claim to fame. However, Stan is caught off-guard when Roger, not Barry, is actually the threat to Stan's record.