Harry Belafonte

Sing Your Song is a documentary about the untold story of Harry Belafonte. The film recounts the life and legacy of Belafonte, not only as a great entertainer, but as an important activist in the Civil Rights movement.

Joe Strummer: The Future Is Unwritten is a 2007 documentary film directed by Julien Temple about Joe Strummer, the lead singer of the English punk rock band The Clash, that went on to win the British Independent Film Awards as Best British Documentary 2007. The film premiered 20 January 2007 at the 2007 Sundance Film Festival. It was also shown at the Dublin Film Festival on 24 February 2007.

The Baker is a 2007 British comedy thriller film written and directed by Gareth Lewis and starring Damian Lewis, Kate Ashfield and Nikolaj Coster-Waldau. An ex-assassin retires to a small Welsh town and opens a cake shop but is unable to escape his former associates. It is also known by the alternative title Assassin In Love.

The Lazarus Child is a 2005 American drama film directed by Graham Theakston. It was filmed in Canada and the United Kingdom. Entitled The Last Door in Canada.

Life and Debt is a 2001 American documentary film directed by Stephanie Black. It examines the economic and social situation in Jamaica, and specifically the impact thereon of the International Monetary Fund and the World Bank's globalization policies. Its starting point is the essay A Small Place by Jamaica Kincaid.

ad feedback Things don't seem to change much in Wabasha County: Max and John are still fighting after 35 years, Grandpa still drinks, smokes, and chases women , and nobody's been able to catch the fabled "Catfish Hunter", a gigantic catfish that actually smiles at fishermen who try to snare it. Six months ago John married the new girl in town (Ariel), and people begin to suspect that Max might be missing something similar in his life. The only joy Max claims is left in his life is fishing, but that might change with the new owner of the bait shop

The plot revolves around a recently dead young couple who become ghosts haunting their former home, a quaint and quiet house on a hill overlooking the fictional town of Winter Rivers located in Connecticut. When a family of metropolitan yuppies from New York City move into the house, the ghosts seek the help of an obnoxious, devious and mischievous "bio-exorcist" named Betelgeuse from the underworld in order to scare the new living inhabitants away permanently.

Odds Against Tomorrow is a 1959 film noir produced and directed by Robert Wise for HarBel Productions, a company founded by the film's star, Harry Belafonte. Belafonte selected Abraham Polonsky to write the script, which is based on a novel by William P. McGivern. As a blacklisted writer Polonsky used a front, John O. Killens, a black novelist and friend of Belafonte's. In 1996, the Writers Guild of America restored Polonsky's credit under his real name.

The World, the Flesh and the Devil is a 1959 science fiction doomsday film written and directed by Ranald MacDougall. The star is Harry Belafonte, who was then at the peak of his film career. Using a science fiction premise about the end of the world, the movie is based in part on two sources: the novel The Purple Cloud by M. P. Shiel and the story "End of the World" by Ferdinand Reyher.

Island in the Sun is a 1957 controversial drama film. The film centers around an ensemble cast including James Mason, Harry Belafonte, Joan Fontaine, Joan Collins, Dorothy Dandridge, Michael Rennie, Stephen Boyd, Patricia Owens, John Justin, Diana Wynyard, and Basil Sydney. The film is about race relations and interracial romance set in the fictitious island of Santa Marta. Barbados and Grenada were selected as the sites for the movie based on the novel by Alec Waugh.

Carmen Jones is a 1954 American musical film produced and directed by Otto Preminger. The screenplay by Harry Kleiner is based on the libretto for the 1943 stage production of the same name by Oscar Hammerstein II, which was inspired by an adaptation of the 1845 Prosper Merimee novella Carmen by Henri Meilhac and Ludovic Halevy. Hammerstein also wrote the lyrics to music composed by Georges Bizet for his 1875 opera Carmen.

Bright Road is a 1953 low-budget film adapted from the Christopher Award-winning short story "See How They Run" by Mary Elizabeth Vroman. Directed by Gerald Mayer and featuring a nearly all-black cast, the film stars Dorothy Dandridge as an idealistic first-year elementary school teacher trying to reach out to a problem student. The movie is also notable as the first feature film appearance by Harry Belafonte, who co-stars as the principal of the school.

Earn performs cunnilingus on Van before they take a trip to Helen for a Fastnacht celebration, but Earn's apathy and displeasure towards the bizarre, off-putting festivities (coupled with Van chatting with a German bartender in fluent German) and Van's frustration over his attitude boil over into a profanity-filled argument over their relationship. Later, similar to season 1 episode "Value", Van and her friend Christina, a fellow Afro-German , disagree over their respective identities. She later confides in the bartender that she and Earn are growing apart. As she leaves to use the bathroom, she finds her stolen phone when the Schnappviecher appears behind her; Earn then texts her saying he wants to talk. Van says she feels that Earn only uses her for sex and doesn't value her as a partner, while Earn is fine with the "arrangement"; they decide to settle their differences over a best-of-five game of table tennis, with a victory for Van meaning that the two essentially split outside of Earn providing child support. The explicit outcome is not shown but it is suggested that Van won.

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Don't let the sun set on your golden years without enjoying your retirement. Dive into a retirement account with E*TRADE today. "E*TRADE Commercial - Life's a Beach" (Lyrics) Just got a job as a lifeguard in Savannah I'm 85 and I wanna go home Over 1/3 Of Americans Have No Retirement Savings This Is Getting Old. Don't Get Mad. Get E*Trade Open A Retirement Account

For those who keep pushing, Always Unstoppable. The 2017 Ford Escape. "2017 Ford Escape: For Those Who Keep Pushing | Escape | Ford" I want you to take it easy. Go slow. Come on, mom. Let's go. Mom! For the ones who keep pushing, always unstoppable. (Lyrics) Work, work, work, Senora, work your body line Work, work, work, Senora, work it all the time Work, work, work, Senora, work it all the time Ford Escape Ford Go Further

Play jams, count steps, screen calls, and send texts. All from your Android Wear smartwatch. "Android Wear: Make the Most of Every Moment" OK, Google, play some wake up music. OK, Google, do I need an umbrella today? OK, kids. Five, four, three, two, one! (Lyrics) Shake, shake, shake, Senora, shake your body line Shake, shake, shake, Senora, shake it all the time Senora dances Calypso Left to right is the tempo And when she gets the sensation She go up in the air, come down in slow motion Jump in the line, rock your body in time OK, I believe you Jump in the line, rock your body in time Somebody, help me Shake, shake, shake, Senora Shake your body line Work, work, work, Senora! speak now play some wake up music Harry Belafonte Jump in the Line do I need an umbrella today 65° New York 14 mph 90% Time to leave for Hair Salon Leave by 12:15 PM to arrive on time 10,000 Steps GOAL! Kiera Yang Band practice? wear what you want android wear

Check out our brand new ad, showing just how many ways there are of enjoying delicious Ryvita - melt cheese on it, crumble it into soup, dip it in an egg... Or, if you fancy something sweet, why not spread some chocolate on top (and maybe chuck a couple of strawberries on too, for good measure)? "Ryvita NEW TV ad - Hands (Crispbread)" Ryvita. Anything goes. (Lyrics) Jump in the line, rock your body in time OK, I believe you! Jump in the line, rock your body in time Whoa! Ryvita Anything Goes

"TELUS SharePlus Plans - Bird on a Wire" Introducing TELUS SharePlus Plans with unlimited nationwide talk and text on a 2 year term. (Lyrics) Shake, shake, shake, Senora, shake your body line Shake, shake, shake, Senora, shake it all the time Work, work, work, Senora, work your body line Work, work, work, Senora, work it all the time (Jump in the line, rock your body in time) OK, I believe you! (Jump in the line, rock your body in time) OK, I believe you! (Jump in the line, rock your body in time) OK, I believe you! Introducing unlimited nationwide talk & text on a 2 year term. It's a heavyweight plan with featherweight commitment BlackBerry Z10 Telus The future is friendly telus.com/shareplus

There's a hole in the bucket, dear Liza, dear Liza, There's a hole in the bucket, dear Liza, a hole. Then mend it, dear Henry, dear Henry, dear Henry, Then mend it, dear Henry, dear Henry, mend it. With what shall I mend it, dear Liza, dear Liza? With what shall I mend it, dear Liza, with what? With a straw, dear Henry, dear Henry, dear Henry, With a straw, dear Henry, dear Henry, with a straw. The straw is too long, dear Liza, dear Liza, The straw is too long, dear Liza, too long, Then cut it, dear Henry, dear Henry, dear Henry, Then cut it, dear Henry, dear Henry, cut it. With what shall I cut it, dear Liza, dear Liza? With what shall I cut it, dear Liza, with what? With a knife, dear Henry, dear Henry, dear Henry, With a knife, dear Henry, dear Henry, with a knife. The knife is too dull, dear Liza, dear Liza, The knife is too dull, dear Liza, too dull. Then sharpen it, dear Henry, dear Henry, dear Henry Then sharpen it, dear Henry, dear Henry, sharpen it. On what shall I sharpen it, dear Liza, dear Liza? On what shall I sharpen it, dear Liza, on what? On a stone, dear Henry, dear Henry, dear Henry, On a stone, dear Henry, dear Henry, a stone. The stone is too dry, dear Liza, dear Liza, The stone is too dry, dear Liza, too dry. Well wet it, dear Henry, dear Henry, dear Henry, Well wet it, dear Henry, dear Henry, wet it. With what shall I wet it, dear Liza, dear Liza? With what shall I wet it, dear Liza, with what? try water, dear Henry, dear Henry, dear Henry, try water, dear Henry, dear Henry, water. In what shall I fetch it, dear Liza, dear Liza? In what shall I fetch it, dear Liza, in what? In a bucket, dear Henry, dear Henry, dear Henry, In a bucket, dear Henry, dear Henry, a bucket. There's a hole in my bucket, dear Liza, dear Liza, There's a hole in my bucket, dear Liza, a hole. Use your head, then! dear Henry, dear Henry, dear Henry, Use your head, then! dear Henry, dear Henry, use your head!

I don’t like it here Nobody likes it here The food’s gone moldy And I’m getting oldie Nobody likes it here.

Jump in the Line (Shake Senora)