Little Richard

Also known as "The Moguls"

The story is based on Frank "Lefty" Rosenthal, who ran the Stardust, Fremont and the Hacienda casinos in Las Vegas for the Chicago Outfit from the 1970s until the early 1980s.

Hot to Trot is a 1988 comedy film released by Warner Bros. It stars Bobcat Goldthwait as an investment broker, Dabney Coleman as the head of the company Bobcat works for and John Candy as the voice of a horse that helps Bobcat's character make smart decisions in investing. The original music score was composed by Danny Elfman. The film's tagline is: "When I talk, you're gonna laugh yourself hoarse." Fred Chaney (Goldthwait) inherits a horse named Don from his dead mother. He discovers Don is a talking horse (he can also speak the language of several other animals), who had belonged to his father. He also discovers Don has a talent for picking out great investments in the stock market. After a couple of good tips, Fred is reluctantly given a job as a broker by his stepfather Walter Sawyer (Coleman). After a few disasters, including a bad tip involving poisoned animal feed, the two are left penniless, but with one last chance: to enter Don in a horse race which will win them all Sawyer's prized horses, along with Satin Doll, a beautiful white horse on whom Don has a crush. Don (having entered the race from the "Pepperidge Farm" stable) wins the race, after a promise of getting his teeth capped spurs extra speed out of him, enabling him to win the photofinish- which showed Don sticking his teeth out over the finish line first. They both get the girl of their dreams and the film finishes happily.

The Hotel New Hampshire is a 1984 comedy-drama film based on John Irving's 1981 novel The Hotel New Hampshire. The film was written and directed by Tony Richardson and stars Jodie Foster, Beau Bridges, Rob Lowe, and Nastassja Kinski. The film also features Wilford Brimley, Amanda Plummer, Matthew Modine, and a young Seth Green in a supporting role. The film is a co-production from the United Kingdom, Canada, and the United States. In an introductory foreword that he wrote for a later edition of the novel, author Irving stated that he was thrilled when Richardson informed him that he wanted to adapt the book to the screen. Irving wrote that he was very happy with the adaptation, complaining only that he felt Richardson tried to make the film too faithful to the book, noting the manner in which Richardson would often speed up the action in an attempt to include more material onscreen.

The team reopens the 1958 case of a popular disk jockey when they discover audio evidence that suggests someone may have arranged his murder to look like a suicide. The victim's daughter sees him as he joins her at the piano.

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