Help!
performed by Henry Gross

A married man is granted the opportunity to have an affair by his wife. Joined in the fun by his best pal, things get a little out of control when both wives start engaging in extramarital activities as well.

Dark Star Comics supremo Damien Knox agrees to see Tim's portfolio. Daisy unwittingly puts an unflattering portrait of him Tim drew after Knox's previous rejection (bearing the legend "I'm a massive wanker!") back into Tim's portfolio after finding it on the couch where Tim discarded it. Both Tim and Mike must enlist Tyres in a daring attempt to recover the item before it is uncovered, but discover that they have an unexpected ally in Knox's beautiful assistant, Sophie. Marsha, meanwhile, invites Daisy out to join her with her exercises, which quickly leads to a vicious, no-holds-barred fight, and Brian, dressed as a lawyer, takes his mother to lunch which leads to a confession about what he really does for a living.

Help, I need somebody, Help, not just anybody, Help, you know I need someone, help. When I was younger, so much younger than today, I never needed anybody's help in any way. But now these days are gone, I'm not so self assured, Now I find I've changed my mind and opened up the doors. Help me if you can, I'm feeling down And I do appreciate you being round. Help me, get my feet back on the ground, Won't you please, please help me? And now my life has changed in oh so many ways, My independence seems to vanish in the haze. But every now and then I feel so insecure, I know that I just need you like I've never done before. Help me if you can, I'm feeling down And I do appreciate you being round. Help me, get my feet back on the ground, Won't you please, please help me. When I was younger, so much younger than today, I never needed anybody's help in any way. But now these days are gone, I'm not so self assured, Now I find I've changed my mind and opened up the doors. Help me if you can, I'm feeling down And I do appreciate you being round. Help me, get my feet back on the ground, Won't you please, please help me, help me, help me, oh.

The film is an ensemble piece about a young white woman, Eugenia "Skeeter" Phelan, and her relationship with two black maids during Civil Rights era America in the early 1960s. Skeeter is a journalist who decides to write a controversial book from the point of view of the maids (known as the Help), exposing the racism they are faced with as they work for white families.