The Darkness
part of The Darkness

Oh, dear. The movers will be here any minute, and I haven't finished packing. How are we gonna get our truck in there, pal? Just leaves it to me, chub. Okay, back 'er in. Gosh, I'll never get through packing. Oh, the movers. Wow! Come right in, boys. It's a pleasure to move a beautiful doll like you, babe. But I haven't finished packing yet. That's alright, miss-ckt. I'll pack for ya. Oh, thank you. There ya are. Dishes all packed. Oh, you're a fast one. Oh yeah? Watch me pack. Oh, you're wonderful. Why, that little show-off. Get a load of this, babe. What a man. Why, that dirty, double-crosser. Ha ha ha, I sure got rid of that runt. Bravo, bravo, you're super, man. Okay wise guy. Catch that. And that. And that. Oh, you're terrific. Ha ha ha ha. The job I did finish Cause I ates me spinach I'm Popeye the moving man A Paramount Picture Paramount presents Popeye the Sailor in Technicolor A Famous Studios Production Direction: I. Sparber Animation: Al Eugster, Wm. B. Pattengill Story: Larz Bourne Scenics: Robert Own Music: Winston Sharples A Haul in One Copyright MCMLVI by Paramount Pictures Corporation All Rights Reserved Popeye & Bluto Movers Spinach

Popeye and Bluto stop by to see Olive and fix her leaky faucet. Popeye does it better, and Bluto gets jealous, so he starts rerouting Olive's plumbing and causing all sorts of leaks. Popeye needs some help from the goldfish to get to his spinach.

Open your mouth and close your eyes. Here comes a nice surprise. Skitery dum and scitery doo, I've got some spinach for all of you. Here you are Pipeye, Peepeye, Pupeye, and Poopeye. But we hate spinach. Huh? You got to eat your spinach if you wants to be strong like your great great great great great uncle Hercules. Hercules? Our uncle? He was strong. He was great. Did he get that way from the spinach he ate? Certainly. It's a hysterical fact. I'll tell you the story how it happened. Once upon a time a long time ago in a distant land far away there lived the strongest man in the world, and the people's best friend - Hercules. One day while Hercules was riding along in his chariot, he saw a baby bird fall off a tree. Jumping out of his tree, he ran to the bird to see what happened. Now, so's he can help the birdie, he has to get strength so he takes a piece of strong garlic and sniffs it. And with his strength, he pushed and pushed and pushed the big tree into the earth. Hercules was awful strong, but very tender. It was garlic that made him strong. Where does the spinach part belong? Don't come to inclusions. You ain't heard everything yet. Like I was saying, one day, a big bull-headed bully come to Hercules's neighborhood. Ha ha ha! So Hercules think it him strongest man on Earth. In my hand, he be like dirt. Hoy! Scram it! Beat it! Flee-eth for thy life. Hercules! I challenge thee. I accept-eth. I accept-eth. I accept-eth. I accept-eth. So Hercules accepted the big bully's challenge to feats of strength. Top this. Huh? Gee, Uncle Popeye. It still isn't spinach what made him win. Don't interrupt me. I ain't finished yet. So, mounting two mountains, the men challenged each other in a tug-of-war. Get ready. Set. Go! Oh ho ho ho ho! The garlic! I'll fix that for good. I'll fix-eth thee, and how. Mine strength... gone. One good blow and thou are through. Spinach. A strange weed this be. What's restore-eth my vitality. How come you got strength without garlic? Better than garlic is spinach! So Hercules knocked the big bully for a row of trash cans. So kiddies, that's why you have to eats your spinach. Huh? Ice cream is hot stuff. You said it, sport. --- a.a.p Associated Artists Productions presents Popeye the Sailor A Famous Studios Production by arrangement with King Features Syndicate, Inc. Direction: Seymour Kneitel Animation: Tom Golden, George Germanetti Story: I. Klein Scenics: Anton Leob Music: Winston Sharples Greek Mirthology Copyright 1954 by Paramount Pictures Corporation All Rights Reserved Honest Xerxs Used Elephants Double Decker Bus, Bus Chlorophyl Spinach Aw that was a bunch of spinach Ice Cream This picture has been presented by a.a.p. Associated Artists Productions, Inc.

Popeye has just finished his house when a band of termites attacks. He traps them in a metal garbage can, but they soon escape and launch a new attack, consuming his picket fence. He comes after them with a garden roller; they run over a bridge, then double back and eat the bridge. Popeye still manages to beat them to the house, where he builds a moat and fills it with water. They are briefly thwarted, then use a can as a boat. They enter the house and start attacking furniture, then the house itself. Their job complete and bellies full, they rest long enough for Popeye to eat his spinach and rebuild his house in steel.

Popeye and Bluto both plan to marry Olive Oyl, but Popeye proposes first. When Olive says, "Yes!" to Popeye, Bluto sets out to make Popeye look bad, break up the wedding, and win Olive over.

An evening-gowned Olive Oyl is watching a show on TV featuring a classy French gent called the International, who delivers romantic monologues to his female audience. Olive is so caught up in the romance and enchantment of this fancy fellow that she forgets all about her date with Popeye, which annoys The Sailorman no end. When The International announces that some lucky eligible maiden may have a date to meet him in person, Olive is delighted and Popeye is disgusted. --- Good evening, dear ladies. I am The International. Come a little closer, and I will make the great love for you. Ah, your eyes are like the limped pools sparkling in the sunshine. And your lips, they are so red like the ruby - the flowers that bloom in the spring do not compare with your exquisite beauty. But Olive! Shoosh, Popeye. Don't interrupt The International. But, but, Olive. What about our date? You and me is supposed to go to the movies. Why, that rub, Popeye got here ahead of me. And now I have a surprise for your lovely ladies. One of you shall be accepted to have a date with me tonight. So stay tuned. Who can tell? You may be the lucky one. Good night. Se you later. Come on, Olive. Let's go out. No, Popeye. I may have a date with The International. Ha ha ha ha ha ha ha ha! Good evening. Is this the residence of Mademoiselle Olive Oyl? Oh, it's The International! Oh, well, do come in. I'll show Olive I can be romantical too. Pardon me, Olive. Mademoiselle Olive Oyl, sit a vous. Listen, Olive... Ah, my cherry (A, mon chéri). Nothing shall ever separate us again. Now that we are alone, I shall give you the magnificent kiss. Olive, don'tcha remember? You and me has a date tonight. Huh! You've got some nerve butting in on The International. And now we shall take a stroll in the moonlight. Just a minute. I got a date with Olive. Ah, you wish to fight the duel for Mademoiselle Olive? Okay, you asked for it. Oh, a duel over me? How perfectly romantical. Have one. Oh, thank you. En garde! Ah ha ha ha ha ha ha! AHHH! He's a fake! It's Bluto! Oh, Popeye, you're wonderful. Ah, Mademoiselle Olive, you have a date with me. Ooo, I'm just like butter in your hands. Ha ga ga ga ga ga ga! --- A Paramount Picture Paramount presents Popeye the Sailor Color by Technicolor A Famous Studios Production Direction: I. Sparber Animation: Al Eugster, Wm. B. Pattengill Story: I. Klein Scenics: Anton Leob Music: Winston Sharples Parlez Vous Woo Copyright MCMLVI by Paramount Pictures Corporation All Rights Reserved Spinach A Paramount Picture Color by Technicolor

Return of the Street Fighter (Blood of the Dragon) is a 1974 martial arts film and the second in a series starting with The Street Fighter starring Sonny Chiba. In this sequel, Martial artist Takuma (Terry) Tsurugi returns to take on a Yakuza family that may be embezzling money from charities to finance their own operations. Both the police and the Yakuza find themselves battling Tsurugi, but Tsurugi's fight ultimately is with the mob, and he concentrates on them.

Popeye's snoring is keeping his resident mouse awake. The mouse fights back. Popeye makes a mistake: he traps the mouse in a spinach can that isn't completely empty.

Sister Street Fighter (UK title: Revenge of the Dragon, German title: Die Karate Tiger) is a spin-off of The Street Fighter (1974). The plot revolves around Li Hong-Long (??? Li Koryu), the female martial artist of the title. When her brother Li Wan-Qing is kidnapped by drug lords, she seeks revenge. The drug lord's colorful collection of "killers" includes a toga-clad group of Thai Boxers called the "Amazons Seven", along with representatives of almost every martial art. Hong-Long breaks into the drug lord's compound with the help of Seiichi Hibiki (Sonny Chiba) and other members of the Shorinji Kempo dojo. After all of his minions are defeated, the drug lord himself battles Hong-Long, wearing a steel claw in imitation of Han, the villain from Enter the Dragon (1973).

The Man with the Golden Arm is a 1955 American drama film with elements of film noir, based on the novel of the same name by Nelson Algren, which tells the story of a drug addict who gets clean while in prison, but struggles to stay that way in the outside world. Although the addictive drug is never identified in the film, according to the American Film Institute "most contemporary and modern sources assume that it is heroin", in contrast to Algren's book which named the drug as morphine. The film stars Frank Sinatra, Eleanor Parker, Kim Novak, Arnold Stang and Darren McGavin. It was adapted for the screen by Walter Newman, Lewis Meltzer and Ben Hecht (uncredited), and directed by Otto Preminger. The film's initial release sparked controversy due to its serious, in-depth treatment of the then-taboo subject of drug addiction. --- - Hi Frankie. - Hello. (Man in background) Get in there. (Traffic noise) (Men's laughter) Nothing like that first drink of the day. Go on drink up enjoy it. Hey, what he do or what? Huh? Say they tell me your some dancer. Well how about a little dance anyway? No? Hey, gimme back. Who's horsing around? What's the big idea? Frankie! Frankie, Frankie when did you get back? How are you? You alright? You know... The monkey's gone. Let me look at you. Let me look at you. Not even a postie card. - You can't read anyway. - Well, you could have drawed pictures. Hey, you goofy punk. How's the lost dog business? Soon as they see me hanging around, people start locking up their mutts. I tell you folks just don't have that trust in their fellow man anymore. Know what I mean? (Sound of laughter) Hey Antek, look who's out. Hey Frankie. You alright? Clean? - Yep. - Good kid. - Enough already, buy me a drink. - Sure. Look what the cat dragged in. Frankie, Honey! You gone so long I thought maybe you was made warden. Hey you're lookin' good, dealer. Put on 6 Ibs. Wow, 6 Ibs. He's gone so long I thought maybe he's made warden. How was it down there, Frankie? Greatest place you ever see, Nancy. She means Lexington. I'm telling you, ball games, great food. I even learned how to play the drums. You make it sound as if I missed something by not going to jail years ago. It's a prison, no? More a hospital, kind of. Let me show you something. Oh, the federal pens is always best, ask anybody. (Nancy ) Oh, I know. He's gone so long I think he's made warden. Ever see anything so pretty? Don't touch. Hey, how'd you sneak them out, Frankie? The guys give me em' up there in the band. They let you have a band? Yeah, I was in it. And they chipped in and bought me these when I left. Wow! Long time dealer. How was it there, bad, huh? It was alright. Six months, you can hardly wait I bet. Come over my place. C'mon. No thanks, Louie. You broke. Now ain't yer being stupid, it's for free. I don't need it, is all. I kicked it. Oh. Kicked it. One of them. - I mean it. - Sure. I'll be around. Frankie don't do it. Don't start up with that peddler again. Me, I'd rather chop my arm off before I let him touch it. This Dr. Lennox who took care of me down at the hospital. A real good guy. He told me at least ten times. He said, "Frankie when you get out of here, you take even one fix, you're hooked again. " Don't worry about me, buddy boy. Let's get out of here. Thanks Antek. Antek, take care of this asset for me. I got a customer coming to get it. Ok. Sparrow. Don't let him give you no gas. Him? I ain't gonna' be around here long enough to let him bother me. I'm gonna' get me a job in a big name band. You're kiddin'? What do you think I'm strengthening my wrist for, Buddy-O? The guy teaches me drumming down there, says that I'm a natural. Can't miss, he says. Arms made of pure gold. You mean a job whanging these drums. I got everything planned too. I'm gonna' call myself Jack Duvall. Golly, I ain't gonna' see you around so much then, huh? Yeah, maybe I can set somethin' up for you. Carrying the instruments or somethin'. Wow! Travellin' around the cou

The Street Fighter, literally Clash, Killer Fist!, is a Japanese martial arts film released in 1974 and produced by Toei Company Ltd. It was released in the US by New Line Cinema and became one of the first films to be a commercial success for the distributor. It is notable as the first film to receive an X-rating in the United States solely for violence. In the UK it was originally released as Kung Fu Streetfighter, presumably to avoid confusion with the Charles Bronson movie Hard Times which was initially released as The Streetfighter in the UK.

The Street Fighter's Last Revenge is a 1974 martial arts film and the third in a series starting with The Street Fighter starring Sonny Chiba.

Through the eyes of "Scout" (Mary Badham), a feisty six-year-old tomboy, the story carries us on an odyssey through the fires of prejudice and injustice in 1932 Alabama. Presenting her tale first as a sweetly lulling reminiscence of events from her childhood, the narrator draws us near with stories of daring neighborhood exploits by Scout, her brother "Jem" (Phillip Alford), and their friend "Dill" (John Megna). Peopled with a cast of eccentrics, Maycomb finds itself the venue of the trial of Tom Robinson (Brock Peters), a young black man falsely accused of raping an ignorant white woman. Atticus Finch (Gregory Peck), Scout and Jem's widower father and a deeply principled man, is appointed to defend Tom for whom a guilty verdict from an all-white jury is a foregone conclusion. Juxtaposed against the story of the trial is the children's hit and run relationship with Boo Radley (Robert Duvall), a shut-in whom the children and Dill's Aunt Stephanie suspect of insanity and whom no one has seen in recent history. Cigar-box treasures, found in the knot hole of a tree near the ramshackle Radley house, temper the children's judgment of Boo. But fear keeps them at a distance until one night, in streetlight and shadows, the children confront an evil born of ignorance and blind hatred and must somehow find their way home.