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Pirates II: Stagnetti's Revenge is the 2008 American sequel to the 2005 pornographic film Pirates. Again written and directed by Joone, it stars Belladonna, Sasha Grey, Jenna Haze, and Ben English, as well as Tommy Gunn, Jesse Jane, Steven St. Croix, and Evan Stone, who reprise their roles from the first film. Carmen Luvana, who played the central character of Isabella in the original Pirates, is absent in the sequel.

Pirates (also known as Pirates XXX) is an adult action-adventure film produced by Digital Playground and Adam & Eve. Released in 2005, it stars Jesse Jane, Carmen Luvana, Janine Lindemulder, Devon, Jenaveve Jolie, Teagan Presley, and Evan Stone. The film was directed by Joone and features many references to the mainstream Hollywood film Pirates of the Caribbean: The Curse of the Black Pearl.

The film tells the story of Ben Braddock, a recent university graduate with no well-defined aim in life, who is seduced by an older woman, Mrs. Robinson, and then falls in love with her daughter Elaine.

The story depicts several decades in the life of Forrest Gump, an Alabama simpleton who travels across the world, meeting historical figures, influencing popular culture, and experiencing firsthand some of the historic events of the late 20th century.

The film follows high school senior Ferris Bueller from the North Shore, who, one spring day (after eight previous absences throughout the semester; nine total including this "day off"), decides to skip school again and spend the day in downtown Chicago with his girlfriend Sloane Peterson and his best friend Cameron Frye while creatively avoiding his school's dean of students Mr. Edward Rooney, his resentful sister Jeanie, and his parents. Bueller frequently breaks the fourth wall to explain to the audience his techniques and thoughts. In the opening scene, graphics appear onscreen illustrating his explanations.

Bookshop owner William Thacker's world begins to turn upside down after the world's most famous actress, Anna Scott, visits his store. A few minutes later, Will knocks into Anna on the street and spills his orange juice over her. He offers her his place to change, and hence starts a tense courtship between an everyday man and the woman every man dreams of.

Girl Interrupted is a film based on writer Susanna Kaysen's account of her 18-month stay at a mental hospital in the 1960s.

Goodfellas (also spelled GoodFellas) is an Academy Award winning 1990 crime drama film directed by Martin Scorsese, based on the book Wiseguy by Nicholas Pileggi, the true story of Henry Hill. The film follows the rise and fall of three gangsters, spanning three decades.

Robots is a 2005 American CGI-animated comedy film. In the beginning of the movie, Herb Copperbottom races through the streets because he is elated that he is going to be a father. He and his wife, Lydia Copperbottom, after 12 hours of "labor", finally manage to construct the baby. His name is Rodney Copperbottom, who becomes a young inventor who dreams of making the world a better place for everyone. Rodney idolizes Bigweld, the master inventor and owner of Bigweld Industries. Rodney has invented a gadget that will help his father clean the dishes at the restaurant. Rodney takes his invention to Robot City to see Bigweld and get a job as an inventor at his company. Instead, Rodney gets to see Ratchet, the new head of the company. Ratchet sees to it that Rodney is removed from the premises. Cappy, a beautiful robot-executive of the company takes an interest in Rodney, and wants to help him. In the slums of Robot City, some old robots known as the Rusties, led by a robot named Fender, befriend Rodney. Ratchet believes the company can make a bigger profit if it stops making spare parts for older robots. Non-working robots are picked up and sent to and melted down by Ratchet's mother, queen of the 'Chop-shop'. Rodney, who remembers Bigweld's 'See a need, fill a need', begins fixing old robots. When Ratchet's mother orders him to stop Rodney, the fireworks begin.

Rain Man is a 1988 comedy-drama that tells the story of an abrasive, selfish yuppie, Charlie Babbitt, who discovers that his father has left all of his multimillion-dollar estate to his brother, Raymond, an autistic savant, of whose existence he was unaware.

Popeye the Sailor Meets Sindbad the Sailor is a two-reel animated cartoon short subject in the Popeye Color Feature series, produced in Technicolor and released to theatres on November 27, 1936 by Paramount Pictures. It was produced by Max Fleischer for Fleischer Studios, Inc. and directed by Dave Fleischer, with the title song by Sammy Timberg. The voices of Popeye and J. Wellington Wimpy are performed by Jack Mercer, with additional voices by Mae Questel as Olive Oyl, and Gus Wickie as Sindbad the Sailor. In this short, Sindbad the Sailor (presumably Bluto playing a "role") proclaims himself, in song, to be the greatest sailor, adventurer and lover in the world and "the most remarkable, extraordinary fellow," a claim that is inadvertently challenged by Popeye as he innocently sings his usual song while sailing by within earshot of Sindbad's island with Olive Oyl and J. Wellington Wimpy on board. Sindbad orders his huge roc, to kidnap Popeye's girlfriend, Olive Oyl, and wreck Popeye's ship, forcing him and Wimpy to swim to shore. Sinbad relishes making Olive his trophy wife, which is interrupted by Popeye's arrival. Sinbad then challenges the one-eyed sailor to a series of obstacles to prove his greatness, including fighting the roc, a two-headed giant named Boola (an apparent parody reference to The Three Stooges), and Sindbad himself. Popeye makes short work of the bird and the giant, but Sindbad almost gets the best of him until Popeye produces his can of spinach, which gives him the power to soundly defeat Sindbad and proclaim himself "the most remarkable, extraordinary fella." A subtly dark running gag features the hamburger-loving Wimpy chasing after a duck on the island with a meat grinder, with the intention of grinding it up so that he can fry it into his favorite dish, but the duck not only escapes, but also snatches away Wimpy's last burger in retaliation when he gives up. Many of the scenes in this short feature make use of the Fleischer's "Steroptical Process", or "Setback Tabletop" process, which used modeled sets to create 3D backgrounds for the cartoon. I'm Sindbad The Sailor, so hardy and Hale I live on an Island on the back of a Whale It's a whale of an island That's not a bad joke Its lord and its master is this handsome bloke Who's the most remarkable extraordinary fellow? Sindbad The Sailor! I scare off creation on land or on sea But talk about woman, they all fall for me I take my adventures where ever there found I don't want to brag folks, but I've been around Who's the most phenomenal extra special kind of fellow? Sindbad The Sailor! From the valley of serpents these diamonds I took I cleaned out those serpents with one dirty look! Ha ha! Serpents. Now look at this monster so strong and so huge He frighten King Kong, but he's only my stooge The capture of Boola for me was just fun Whoever said two heads are better than one? Who's the most phenominal extraordinary fellow? (Yous, Sinlouse The Sailor.) On one of my travels I ran into this Now there was a thrill I'd be sorry to miss He spread out his wings and the sunlight grew dim He took me in his beak, but I ran off with him Who's the most remarkable extraordinary fellow? Sindbad The Sailor! I'm afraid of nobody under the sun All I say is "BOO!" and my enemies run Who's the most remarkable extraordinary fellow? It's Popeye the Sailor man, a ga ga ga ga Popeye the Sailor man I'm strong to the finish Cause I eats me spinach I'm Popeye the Sailor man I'm one tough gazookas Which hates all palookas But takes on the up and square I biffs 'em and boffs 'em And always out-ruffs 'em But none of them gets nowhere! If anyone messes to risk, me fisk It's bop and it's wham, understand? So keep good behavior That's your one lifesaver With Popeye the Sailor Man! I'm Popeye the Sailor Man Popeye the Sailor Man I'm strong to the finich Ca

Fiddlesticks is a ground-breaking 1930 animated cartoon film. It was the first complete sound cartoon to be photographed in two-strip Technicolor, and was also Ub Iwerks's first cartoon since he departed from Walt Disney's studio. Flip is seen dancing on lilypads until he reaches land and dries himself off. He walks to a party, where he performs a dance for the audience, accidentally climbing to a spider web. He also performs a duet, playing piano alongside a mouse (who bears a striking resemblance to Mickey Mouse, which Iwerks co-created with Walt Disney during his days at Disney's company) playing the violin. They perform two songs. In the first song, the mouse starts crying, and so do Flip and the piano. The second song makes Flip start hugging the piano, which then kicks Flip. The cartoon ends with Flip beating on the piano; he kicks all the piano keys into the air, and they drop onto him. --- Celebrity Productions Inc. present a Flip the Frog Color Sound Cartoon Produced and Drawn by "Ub" Iwerks "Fiddlesticks" A Flip the Frog Color-Sound Cartoon by "Ub" Iwerks

Jeffrey "The Dude" Lebowski is the ultimate L.A. slacker, until the day his house is broken into and his rug is ruined by two angry gangsters who have mistaken him for Jeffrey Lebowski, the L.A. millionaire, whose wife owes big money to some very bad people. "The Dude" becomes mixed up in the crazy plot when he goes to visit the real Lebowski in order to get some retribution for his soiled rug, and is recruited to be the liason between Lebowski and the captors of his now "kidnapped" wife. Starring: Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, David Huddleston, Philip Seymour Hoffman, Tara Reid, Philip Moon and Mark Pellegrino.

Snow-White, also known as Betty Boop in Snow-White, is a film in the Betty Boop series from Max Fleischer's Fleischer Studios directed in 1933. Dave Fleischer was credited as director, although virtually all the animation was done by Roland Crandall. Crandall received the opportunity to make Snow-White on his own as a reward for his several years of devotion to the Fleischer studio, and the resulting film is considered both his masterwork and an important milestone of The Golden Age of American animation. Snow-White took Crandall six months to complete. A magic mirror, with a face resembling Cab Calloway, proclaims Betty Boop to be "the fairest in the land", much to the anger of the Queen (who resembles Olive Oyl). The Queen orders her guards Bimbo and Koko to behead Betty. With tears in their eyes, they take Betty into the forest and prepare to execute her. Betty escapes into a frozen river, which encloses her in a coffin of ice. This block slips downhill to the home of the seven dwarfs, who carry the frozen Betty into an enchanted cave. Meanwhile, Koko and Bimbo fall down a hole and arrive at the same cave (with the Queen, who turned herself into a Witch), where the evil Queen turns them into grotesque creatures as they sing the St. James Infirmary Blues. With her rivals disposed of, the Queen again asks the magic mirror who the fairest in the land is, but the mirror explodes in a puff of magic smoke that returns Betty and Koko to their normal states and changes the Queen into a hideous monster. The queen monster chases the protagonists until Bimbo grabs its tongue and, with one mighty yank, turns it inside out, leaving the skeleton monster to flee away. Betty, Koko, and Bimbo dance around in a circle of victory as the film ends. --- Made of pen and ink She can win you with a wink (yoo hoo) Ain't she cute? (boop boop be doop) Sweet Betty Magic Mirror in my hand Who's the fairest in the land? You're the fairest in the land You're the fairest in the land I wanna see my step-mama, step-mama, step-mama I wanna see my step-mama, a step-mama the queen I heard about your looking glass, looking glass, looking glass I heard about your looking glass, and what it says is so Magic Mirror in my hand Who's the fairest in the land? You're the fairest in the land You're the fairest in the land Off with her head! What a shame. Poor Betty. Always in the way I can never play My own mama would never stay I'm always in the way Oh, please don't leave me here alone. I don't wanna see. Save me! Save me! Save me! Thank you. Am I the fairest in the place? If I were you I'd hide my face. Folks, I'm goin' down to St. James Infirmary See my baby there; She's stretched out on a long, white table She's so sweet, so cold, so fair Let it go, let it go, ohh bless her Wherever she may be She can search this whole wide world over But she'll never find another sweet man like me When I die, bury me in my straight-leg britches Put on a box-back coat and a Stetson hat Put a twenty-dollar gold piece on my watch chain So you can let all the boys know I died standing pat An' give me six crap shooting pall bearers Let a chorus girl sing me a song Put a red hot jazz band at the top of my head So we can raise Hallelujah as we go along Folks, now that you have heard my story Say, boy, hand me another shot of that booze; If anyone should ask you You just tell 'em I've got those St. James Infirmary blues Magic Mirror in my hand, now who's the fairest in the land? You're the fairest in the land. --- U.M.&M. TV Corp. presents Betty Boop Cartoon Max Fleischer presents Betty Boop in Snow-White Copyright MCMXXXIII by Paramount Productions Inc. All Rights Reserved Directed by Dave Fleischer Animated by Roland C. Crandall Passed by the National Board of Review Vocal Corus Saint James Infirmary Blues sung by Cab Calloway Betty Boop assisted by Bimbo and Koko Seven Dwarfs Mystery Cave 20, A The End A UM&M TV Corp. presentation

My Fair Lady is a 1964 musical film adaptation of the Lerner and Loewe stage musical, My Fair Lady, based in turn on the play Pygmalion by George Bernard Shaw.