Psycho

The film depicts the encounter between a secretary, Marion Crane, who is in hiding at a motel after embezzling from her employer, and the motel's owner, the lonely Norman Bates.

Psycho III is a 1986 American slasher film, and the third film in the Psycho franchise. It stars Anthony Perkins, who also directs the film, reprising the role of Norman Bates. It co-stars Diana Scarwid, Jeff Fahey, and Roberta Maxwell. The screenplay is written by Charles Edward Pogue. The original electronic music score is composed and performed by Carter Burwell in one of his earliest projects. Psycho III is unrelated to Robert Bloch's third Psycho novel, Psycho House, which was released in 1990. The film takes place one month after the events of Psycho II where Norman Bates is still running the Bates Motel with the corpse of Emma Spool still sitting up in the house. A suicidal nun, with whom Norman falls in love, comes to the motel along with a drifter named Duane Duke. A reporter also tries to solve the mysterious disappearance of Mrs. Spool as someone begins another murder spree.

Psycho is a 1998 film remake of the Alfred Hitchcock 1960 version. Although this version is in color and features a different cast, it is nearly a shot for shot remake that copies Hitchcock's camera movements and editing. A few changes are introduced to account for advancements in technology since the original film and to make the content more explicit. Murder sequences are also intercut with surreal dream images.

The film depicts the encounter between a secretary, Marion Crane, who is in hiding at a motel after embezzling from her employer, and the motel's owner, the lonely Norman Bates.

Psycho is a 1998 film remake of the Alfred Hitchcock 1960 version. Although this version is in color and features a different cast, it is nearly a shot for shot remake that copies Hitchcock's camera movements and editing. A few changes are introduced to account for advancements in technology since the original film and to make the content more explicit. Murder sequences are also intercut with surreal dream images.

The story is divided into several sections, by the character whose point of view is mostly followed in that chapter. This is purely for simplicity's sake. It basically follows the main narrative of one character up until their death, when the spotlight moves to the next soon-to-be victim.