Claire Berlinski

Sherlock and John are contacted by Henry Knight (Russell Tovey), a man traumatised by the death of his father by a monstrous hound on Dartmoor years before. Investigating Dewer's Hollow, a local spot where the beast was allegedly seen, as well as the nearby Ministry of Defence testing site Baskerville, Sherlock and John uncover a conspiracy wherein one of the Baskerville scientists, Dr. Frankland (Clive Mantle), is continuing the work of H.O.U.N.D., an aborted project to create a hallucinogenic gas for military use. Sherlock and John discover that the legendary hound is an ordinary dog used for publicity that the hallucinogenic gas makes appear as a demonic monster. The "hound" that killed Henry's father was actually Frankland wearing a red-lensed gas mask and a T-shirt bearing the logo of the H.O.U.N.D. group. Confronting both the dog and Frankland at Dewer's Hollow, John and Lestrade shoot the dog. Frankland attempts to flee, but dies when he runs into a minefield. In the final scene, Mycroft releases a confined Jim Moriarty. Based on the novel The Hound of the Baskervilles.

Great Britain in the 1970s appeared to be in terminal decline-ungovernable, an economic train wreck, and rapidly headed for global irrelevance. Three decades later, it is the richest and most influential country in Europe, and Margaret Thatcher is the reason. The preternaturally determined Thatcher rose from nothing, seized control of Britain's Conservative party, and took a sledgehammer to the nation's postwar socialist consensus. She proved that socialism could be reversed, inspiring a global free-market revolution. Simultaneously exploiting every politically useful aspect of her femininity and defying every conventional expectation of women in power, Thatcher crushed her enemies with a calculated ruthlessness that stunned the British public and without doubt caused immense collateral damage. Ultimately, however, Claire Berlinski agrees with Thatcher: There was no alternative. Berlinski explains what Thatcher did, why it matters, and how she got away with it in this vivid and immensely readable portrait of one of the towering figures of the twentieth century.