Johnny Gill

Good natured Reverend Henry Biggs finds that his marriage to choir mistress Julia is flagging, due to his constant absence caring for the deprived neighborhood they live in. On top of all this, his church is coming under threat from property developer Joe Hamilton. In desperation, Rev. Biggs prays to God for help - and help arrives in the form of an angel named Dudley. However, Dudley's arrival seems to cause even more trouble...

Fresh is a 1994 crime film written and directed by Boaz Yakin in his film directorial debut, and produced by Lawrence Bender (seen in a cameo appearance), who was riding the wave of success of Reservoir Dogs. It was scored by Stewart Copeland, a member of The Police. Marketed as a hip hop 'hood film, Fresh went relatively unnoticed by the public, but won critical acclaim. An emotional coming of age story, it offers a realistic glimpse of the dangerous life in New York City's projects during the crack epidemic. "There's shocking resonance to the notion of a grade-school boy who's become a criminal out of sheer pragmatism," wrote Entertainment Weekly's Owen Gleiberman. Michael, nicknamed Fresh (portrayed by Sean Nelson), is a 12-year old kid running drugs for gangsters, notably Esteban (Giancarlo Esposito). Inspired by the chess lessons of his father, an alcoholic speed-chess master (Samuel L. Jackson), Fresh devises and executes a brilliant plan to extricate himself and his drug-addicted sister (N'Bushe Wright) from their hopeless lives.[2][3]

This film is about Marcus Graham, a hotshot advertising executive who also happens to be an insatiable womanizer and male chauvinist. Thus, he is hardly prepared when he meets his new boss Jacqueline Broyer. Marcus discovers that Jacqueline is essentially a female version of himself, and realizes he is receiving the treatment he usually delivers to others, at times to much comic effect.