Dawes

On a day of spontaneous adventures, Mickey and Gus open up about their pasts and begin to let go of their fears.

D.O.A. (1950), a film noir drama film directed by Rudolph Mate, is considered a classic of the genre. The frantically paced plot revolves around a doomed man's quest to find out who has poisoned him, and why.[1] Leo C. Popkin produced the film for his short-lived Cardinal Pictures, but failed to renew the copyright in 1977, so that it has fallen into the public domain. The Internet Movie Database shows that 22 companies offer the VHS or DVD versions, and the Internet Archive (see below) offers an online version.

D.O.A. is a 1988 very loose remake of the 1950 film noir of the same name, sharing the same premise but otherwise having a different story and characters. The film was directed by Annabel Jankel and Rocky Morton, the creators of Max Headroom, and scripted by Charles Edward Pogue. The writers of the original film, Russell Rouse and Clarence Greene, share story credit with Pogue. It stars Dennis Quaid, Meg Ryan, and Charlotte Rampling and featured Timbuk 3 playing one of their songs in a bar scene. The movie was filmed in Austin, Texas and San Marcos, Texas. The tag line for the film is: Someone poisoned Dexter Cornell. He's got to find out who. He's got to find out why. He's got to find out because in 24 hours, he'll be Dead On Arrival.

The team investigates a shooting homicide on Mulholland Drive. Sharon's husband Jack surprises her and Rusty in the apartment.

In the conclusion of a two-part crossover with Law & Order: Special Victims Unit, A.D.A. Kibre works with Detectives Benson and Stabler (Mariska Hargitay and Christopher Meloni) to prosecute a serial rapist (Alfred Molina) whose trail of victims through the years has been whitewashed by his wealthy and protective mother (Angela Lansbury). Kibre must also overcome witness intimidation; and even sees her crucial DNA evidence tossed out; but the slippery suspect's lawyer has yet another surprise under his sleeve.

K-pop girl band